Revolutions in Cinema
Revolution and adaptation to change has been one of the greatest progress in the current world. Likewise, in the field of entertainment there has been progress –especially in the field of cinema shows, different schools of thought. For instance, most of the cinemas have adopted from the Italian Neorealism and Romanticism. Italian Realism refers to a time in Italy when acting got its massive recognition and growth with amateur actors taking the center stage. The cinema technique, plot and styles of presentation of actors have been well categorized into different time period of World War II. In addition to the styles of production of films, there were political aspects that influenced the cinema in Italy.
It is in this same period that most world social-economic stories were depicted on the cinema by the actors. On the other hand, the French New Wave refers to the group of French film directors who tried to adopt the new film trends from their American counter-parts. From the directors of the films rose great critics and suggestions on what a good film should contain. The producers argued about the styles and directions that were appropriate for the French cinemas. This paper will deeply focus on what French film borrowed from the Italian Neorealism. Moreover, the paper will focus on exact points that directly relate to Italian Neorealism. The French New Wave adopted great concepts from the Italian Neorealism like the use of criticism by the Italian film producers. The Italian producers stood against the poor techniques of acting. The Italians directors used the magazines to express their critiques on the films. This is exemplified in the critiques on the Telefoni Bianchi Films which referred to the white American telephones. Nonetheless, the French New Wave also used the same critique formula to talk more on the films produced. They used the magazines to criticize the acting techniques. This resulted to even some great producers getting burnt from going to public places. On the other hand, the French New Wave, also adopted the time frame that is after hard political times. Earlier movies that were foreign in the country could now be shown to the people.
The French New Wave erupted after the fall of harsh French government. The end of censorship saw the lifting of bans on films. This promoted the flourishing of the films to the public and to the common majority access. In the same way, the Italian Neorealism came to rise at the time when the government of Benito came to an end. The end of the fascism and the new-found freedom of expression in the film industry helped the Italian Neorealism gain grounds with non-professional actors. This too saw the film industry grow since there were less government restrictions on the industry and public opinion. In addition, the use of magazine for criticism helped present factual ideas concerning acting in France.
The borrowing of the idea of street acting of the films is also a concept of the Italian Neorealism that the French New Wave adopted. Although the Italian Neorealism took acting on the street due to lack of enough facilities and resources, it too had a very powerful significance. The importance of the street filming was to blend the reality of life of human society and how the people of Italy were copping up with life after World War II. In the same manner, the French New Wave, took their film to the street to give the viewers the direct objective view of the world as it made the viewers be more active participants. Moreover, the films were low budget. This was because the films would require few facilities to use leading to low budgets. For example, the use of still images gained more grounds. Both films of 400 Blows and the Bicycle Thieves were done on the street and used relatively low budgets compared to the movies that were produced inside the studios.
The Italian Neorealism has greatly impacted on the French New Wave cinema and the entertainment sector as a whole. The changes adapted from the Italian film section in different ways transformed and influenced the revolutions of cinemas especially in France. This is evident, in the adoption of use of criticisms, non-experienced actors and adaption of political setbacks to grow the cinema sectors in both French and Italy. Finally, the use of talented actors saw the industry move to greater scales of film. The major directions by the likes of Vittorio De Sica saw the French New Wave adopt the use of the young children and depiction of social-economic importance in the cinema production.